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X-WR-CALDESC:Events for CEES | Makerere Univsity
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DTSTART;TZID=UTC:20260205T090000
DTEND;TZID=UTC:20260205T120000
DTSTAMP:20260406T103721
CREATED:20260130T045646Z
LAST-MODIFIED:20260130T050621Z
UID:70817-1770282000-1770292800@cees.mak.ac.ug
SUMMARY:PhD Public Defense for Mr. Erisa Walubo
DESCRIPTION:INVITATION: \n\n\n\nThe Dean\, School of Education under the College of Education and External Studies (CEES)\, cordially invites you to the PhD Public Defense of the following candidate: \n\n\n\nName of the Candidate: Mr. Erisa Walubo \n\n\n\nTitle of Thesis:  \n\n\n\nDecolonizing Ugandan Primary Musical Arts Teacher Education through Exploring the Indigenous Amayebe Musical Practices \n\n\n\nDate:  Thursday 5th  Februrary  2026. \n\n\n\nTime: 9:00am – 12:00pm \n\n\n\nVenue:  \n\n\n\nAVU Conference Room\, College of Education and External  Studies\, Makerere University \n\n\n\nABSTRACT \n\n\n\nThis study examines Indigenous Knowledge Systems (IKS) and transmission processes within the Amayebe musical tradition of the Basoga in eastern Uganda\, with the aim of contributing to the decolonization of Uganda’s Primary Musical Arts Teacher Education (PMTE) programme. While precolonial Ugandan education was grounded in community-based Indigenous knowledge\, colonial and postcolonial education systems marginalized Indigenous epistemologies\, leading to the decline and under-documentation of traditions such as Amayebe. \n\n\n\nGuided by Decolonial Theory\, the study adopts an interpretivist\, ethnographic approach involving semi-structured interviews with five (05) master musicians\, focus group discussions with nineteen (19) apprentices\, and participant observation\, complemented by audio-visual documentation and field notes. Inductive thematic analysis revealed that Amayebe plays vital cultural roles in royal ceremonies\, funerals\, and communal gatherings\, serving functions of identity preservation\, historical narration\, moral education\, and social critique. The tradition transmits musical competencies including performance\, composition\, improvisation\, dance\, and instrument-making as well as transferable values such as humanistic conduct\, self-reflection\, and self-confidence. \n\n\n\nDrawing on these findings\, the study proposes the Practitioner-Pedagogue-Andragogue (2PA) model\, which integrates Indigenous and global perspectives to support culturally responsive\, holistic\, and reflective music teacher education. The study advocates for the systematic integration of IKS into PMTE through collaboration with Indigenous culture bearers. \n\n\n\nSupervisors: \n\n\n\n\nDr. Ssegantebuka Julius\n\n\n\nDr. Ssekalegga Lawrence Branco\n\n\n\nProf. David Gabriel Hebert\n\n\n\n\nYour presence and participation will be highly appreciated as we support the student in this important academic milestone.
URL:https://cees.mak.ac.ug/event/phd-public-defense-for-mr-erisa-walubo/
LOCATION:AVU\, School of Distance and Lifelong Learning\, Makerere University\, Makerere University DICTS\, KAMPALA
CATEGORIES:CEES Events
ATTACH;FMTTYPE=image/jpeg:https://cees.mak.ac.ug/wp-content/uploads/2026/01/Erisa_2026.jpg
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